FULL TIME HOBBY
Ulrika Spacek - Expo Ulrika Spacek
If art is to be exhibited, then Ulrika Spacek will ensure that their art is collective; that even as the world becomes inhospitable to community, their intentions are an act of resistance.
Whether it is Oysterland, the self-curated night the band have been hosting for over 10 years to platform artists of other disciplines in live music spaces; Total Refreshment Centre, the East London studio Syd runs which connects the dots between the jazz scene and like-minded experimental artists of the capital and beyond; or their creative bleed as musicians and producers over the years with the likes of Crack Cloud, caroline, DIIV, Holy Wave and Slowdive, the band’s existence is inseparable from its community.
In a hyper-individual world, the band’s fourth album, EXPO, offers an antidote. It’s there, in the shared dream logic of the music: the off-kilter melodies, jagged guitars and cirrus cloud atmospherics. It’s there, in all the things that are said and unsaid between them; there in the writing, producing and mixing processes they share in. And even as each of their parts moves toward a unified vision, it’s never more keenly felt than in the bigger picture to which Ulrika Spacek belong.
EXPO is a symbol of collective art, and a dialectic between analogue and electronic.
Though their well-established foundations are in the art-rock world - and though they are inspired by electronic elements more than ever - Ulrika Spacek are interested in the glitch that exists between the two. Their music reckons with human warmth and digital isolation, equal parts welcoming and altogether alienating. “Our music has always been a collage – a bit patchwork, sonically – but what makes this album a landmark for us is that we went one step further and made our own sample bank,” explains singer/guitarist Rhys. They create their own doppelgängers in a world of almost-real, where the band appear as if in a hall of mirrors. Digital drums are sampled layered upon real drums, and the effect is almost like birth in reverse - pulled from the ether and returned back to the tangible world.
“There’s a lot that can be said about writing when there is no aim, there is a freedom and a purity in it which opens a door to more music, and in this case, it set a mood for a new album, one that would be colder, darker and one that would embrace electronics and new instrumentation in a new terrain” the band share. “The album’s greater theme is isolation and alienation in an online world where it seems everybody around you is constantly exhibiting themselves, living in public wanting to be seen and heard. The age of ‘individuality’ is lonely, it’s a room of concave mirrors, and with this in mind, we set upon making our most collective effort; ‘It’s back to strength in numbers, count in fives.”
FFO: Radiohead, Moin, DIIV, Astrel K, Slowdive | Genre: Art-rock, electronic, psychedelic, trip hop, shoegaze
Track List
1. Intro
2. Picto
3. I Could Just Do It
4. Build a Box Then Break It
5. This Time I’m Present
6. Showroom Poetry
7. Expo
8. Square Root of None
9. Weights & Measures
10. A Modern Low
11. Incomplete Symphony
Pickup available at Cambridge
Usually ready in 24 hours. Unless it's a Pre-Order
Product information
Shipping
We aim to keep postage costs as low as possible while making sure your records arrive safely. All orders are packed securely using Defenda MusicMax stiff cardboard mailers, with plenty of “FRAGILE” tape, to provide the best protection in transit.
Shipping costs are calculated automatically at checkout based on the weight and destination of your order, along with packaging materials.
We send most orders via Royal Mail tracked services. For larger or heavier orders, we may use a courier service or split your order into multiple parcels to ensure it arrives safely and efficiently.
Pre-orders
Any items ordered alongside a pre-order item will be held back and posted alongside your pre-order. If you’d like them sent individually, please make separate orders.
On the subject of pre-orders, please note than release dates can change (sometimes not until the scheduled release date). Please keep an eye on our website
Returns
Returns Procedure
If you wish to cancel or return an order, you need to notify us by email (quoting your order number), and wait for us to get back to you before returning goods.
We will email you with instructions and a returns reference number. When returning items to us, you will need to take reasonable care to ensure they are not damaged in transit and that they are labelled clearly with the correct address & reference number (as provided by us) :
Relevant Record Café,
260 Mill Road
Cambridge,
CB1 3NF.
We reserve the right to not process returns sent to us without prior permission.
It’s your responsibility to retain possession and to take reasonable care of the goods in the period prior to return and until you send them back to us.
Your Right To Cancel An Order
Your right to cancel your order starts from the moment you place the order, and ends 14 days from the time you receive your order.
Non-Faulty Products
If you wish to return a product because it’s unwanted or it was ordered in error, please follow the returns procedure (see above).
We’ll happily accept a return as long as the product is still in its original shrink-wrapped packaging and is completely undamaged. You have 14 days from when you receive your order to notify us that you wish to return your order.
By opening a sealed product in any way (or using any digital download code accompanying your order), you waive your right to cancel or return your order.
Obviously we’d rather offer you store credit (in the form of a gift card), but if you’d prefer a refund, we promise to get this sorted within 14 days of receiving your return.
Please take care when ordering!
Faulty Products
If you believe you have purchased a faulty or damaged record, please follow the returns procedure (see above).
Once we receive your record, it will be tested by a member of staff in store.
If your record is deemed as faulty, you will be entitled to a refund, swap or store credit (to the same value as your initial purchase).
If this record is not deemed as faulty, we will not cover any additional postage and packaging costs incurred by either you or us, and we will not be able to offer you a refund, store credit or swap.
Basically, please be absolutely certain the record you have purchased is faulty before following the returns procedure. If possible, we suggest testing the record on different turntables and weighting the tone arm differently.
Steepletone and Crosley Record Players
After having several “faulty” records returned to us (that in actuality had nothing wrong with them), we cannot guarantee that any records we sell will play correctly Crosley or Steepletone branded record players.