WEWANTSOUNDS
TOKYO PULSE - JAPANESE FUNK, MODERN AND CITY POP FROM THE TOKYO SCENE 1974-88 SELECTED BY DJ NOTOYA TOKYO PULSE
Hot on the heels of the Tokyo bliss and Funk Tide sets, Tokyo-based DJ Notoya delivers Tokyo Pulse a new juicy selection of Funk and Modern soul recorded in Tokyo in the 70s and 80s. Most tracks here are making their debut outside of Japan and the album, like its predecessors, has been designed by Manuel Sepulveda (Optigram) and is annotated by DJ Notoya. The audio has been newly mastered in Tokyo by Nippon Columbia Records and remastered for vinyl by Colorsound in Paris.
Tokyo Pulse’s lush funk selection open with the nocturnal groove of Naomi Chiaki’s “Yoru E Isogu Hito,” recorded in 1978. The track perfectly sets the mood with its laid-back tempo and late-night atmosphere. From there, Yumi Murata’s “Ranhansha” (1979) brings a funkier touch, before the mellower funk of L-E-V-E-L’s “Bagdad No Atari Nite” signals the stylistic shift toward the early 1980s. Side one closes with GAM’s “Lake In The Forest,” an elegant reggae-inflected piece from 1980, played by several musicians from the cult Arakawa Band.
Side two opens with a leap into the late 1980s via Nami Shimada’s “Mitsumeteirunoni,” a superb mid-tempo electro-funk track. This is followed by the earthy folk-soul of Bread & Butter’s “Memory,” originally released in 1974 on Blow Up Records, and featuring a who’s who of Japanese music, including Haruomi Hosono, Ray Ohara, Tatsuo Hayashi, and Shigeru Suzuki. Keyboardist Minoru Koyama’s instrumental “After Image” adds a cinematic, fusion-leaning dimension, while Chikara Ueda & The Power Station’s “Island Cuckoo,” released in 1979 on Denon, injects a cool dose of Brazilian-tinged funk energy. The compilation closes with Higurashi’s superb funk-folk track “Anata Wa Doko Ni Irundesuka,” a reflective 1974 recording that brings the journey to a quietly emotional conclusion.
Taken as a whole, Tokyo Pulse offers a vivid snapshot of Tokyo’s evolving groove landscape, embracing a wide diversity of sounds that move fluidly between funk, modern soul, folk, reggae, electro, and jazz-inflected pop. Carefully curated by DJ Notoya, the album captures the subtle shifts in style, production, and mood that defined nearly fifteen years of Japanese music and stands as a new addition to Wewantsounds’ ongoing series exploring Japan’s rich musical heritage, reaffirming Tokyo’s place as a city with a uniquely refined and forward-thinking musical pulse.
Track List
A1. Naomi Chiaki - Yoru E Isogu Hito (1978)
A2. Yumi Murata - Ranhansha (1979)
A3. L-E-V-E-L - Bagdad No Atari Nite (1981)
A4. GAM - Lake In The Forest (1980)
B1. Nami Shimada - Mitsumeteirunoni 1988)
B2. Bread & Butter - Memory (1974)
B3. Minoru Koyama - After Image (1980)
B4. Chikara Ueda & The Power Station - Island Cuckoo (1979)
B5. Higurashi - Anata Wa Doko Ni Irundesuka (1974)
Pickup available at Cambridge
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Product information
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On the subject of pre-orders, please note than release dates can change (sometimes not until the scheduled release date). Please keep an eye on our website
Returns
Returns Procedure
If you wish to cancel or return an order, you need to notify us by email (quoting your order number), and wait for us to get back to you before returning goods.
We will email you with instructions and a returns reference number. When returning items to us, you will need to take reasonable care to ensure they are not damaged in transit and that they are labelled clearly with the correct address & reference number (as provided by us) :
Relevant Record Café,
260 Mill Road
Cambridge,
CB1 3NF.
We reserve the right to not process returns sent to us without prior permission.
It’s your responsibility to retain possession and to take reasonable care of the goods in the period prior to return and until you send them back to us.
Your Right To Cancel An Order
Your right to cancel your order starts from the moment you place the order, and ends 14 days from the time you receive your order.
Non-Faulty Products
If you wish to return a product because it’s unwanted or it was ordered in error, please follow the returns procedure (see above).
We’ll happily accept a return as long as the product is still in its original shrink-wrapped packaging and is completely undamaged. You have 14 days from when you receive your order to notify us that you wish to return your order.
By opening a sealed product in any way (or using any digital download code accompanying your order), you waive your right to cancel or return your order.
Obviously we’d rather offer you store credit (in the form of a gift card), but if you’d prefer a refund, we promise to get this sorted within 14 days of receiving your return.
Please take care when ordering!
Faulty Products
If you believe you have purchased a faulty or damaged record, please follow the returns procedure (see above).
Once we receive your record, it will be tested by a member of staff in store.
If your record is deemed as faulty, you will be entitled to a refund, swap or store credit (to the same value as your initial purchase).
If this record is not deemed as faulty, we will not cover any additional postage and packaging costs incurred by either you or us, and we will not be able to offer you a refund, store credit or swap.
Basically, please be absolutely certain the record you have purchased is faulty before following the returns procedure. If possible, we suggest testing the record on different turntables and weighting the tone arm differently.
Steepletone and Crosley Record Players
After having several “faulty” records returned to us (that in actuality had nothing wrong with them), we cannot guarantee that any records we sell will play correctly Crosley or Steepletone branded record players.