FLENSER
Chat Pile - Who Loves The Sun Chat Pile
In a world increasingly shaped by disposable content, Chat Pile answer with something defiantly real and organic, a mentality that permeates Who Loves The Sun, their third full-length record. Since the band’s formation just over six years ago, the Oklahoma City-based quartet Chat Pile has grown from a scrappy passion project into one of the defining heavy acts to emerge from the 2020s underground. Ray B. (vocals), L. Manhole (guitar), Stin (bass), and Cap’n Ron (drums) create a crushing, crass, and cathartic take on noise rock that captures a raw, undeniably human essence in an age marked by technological overreach and the cold state of society. Nothing about Who Loves The Sun feels synthetic.
Whereas their debut album God’s Country depicted a particularly American flavor of dread, and the follow up Cool World showed a cruel planet defined by global systemic violence, Who Loves The Sun peels the skin back on how collective indifference defines this new century. Spanning imagery of coastlines devouring cities, dead-end jobs, and submission to data-driven inauthenticity, the album dissects the apathy-bloated state of 21st-century existence as a slow-motion apocalypse.
As with much of Chat Pile’s work, Oklahoma City itself looms over the album like a character, its sprawling isolation, economic contradictions, and underlying sense of decay embedded in the fabric of the record. The perfect allegory for the thematic essence of Who Loves The Sun is the photo embossed on the record’s cover, where Devon Tower, a glassy, largely vacant monolith, looms high above the Oklahoma City skyline while a burnt-out home or storefront envelops the foreground.
The album remains lyrically and sonically confrontational, but Chat Pile approached the songwriting with hooks in mind, drawing on melodic tones of pre-2000s indie rock, alt-rock, and new wave. From the blood-soaked vocal passages of “Christabel ’26” to the eerie trip-hop pulse of “Same Rules,” Who Loves The Sun is deeply human despite its allusions to a dying, divided .
Track List
1. Creature
2. Deep Blue
3. Same Rules
4. PEN I S MALL
5. Shrine
6. Intruder
7. Christabel ’26
8. Influence
9. Family Funeral
10. October All the Time
Pickup available at Cambridge
Usually ready in 24 hours. Unless it's a Pre-Order
Product information
Shipping
We aim to keep postage costs as low as possible while making sure your records arrive safely. All orders are packed securely using Defenda MusicMax stiff cardboard mailers, with plenty of “FRAGILE” tape, to provide the best protection in transit.
Shipping costs are calculated automatically at checkout based on the weight and destination of your order, along with packaging materials.
We send most orders via Royal Mail tracked services. For larger or heavier orders, we may use a courier service or split your order into multiple parcels to ensure it arrives safely and efficiently.
Pre-orders
Any items ordered alongside a pre-order item will be held back and posted alongside your pre-order. If you’d like them sent individually, please make separate orders.
On the subject of pre-orders, please note than release dates can change (sometimes not until the scheduled release date). Please keep an eye on our website
Returns
Returns Procedure
If you wish to cancel or return an order, you need to notify us by email (quoting your order number), and wait for us to get back to you before returning goods.
We will email you with instructions and a returns reference number. When returning items to us, you will need to take reasonable care to ensure they are not damaged in transit and that they are labelled clearly with the correct address & reference number (as provided by us) :
Relevant Record Café,
260 Mill Road
Cambridge,
CB1 3NF.
We reserve the right to not process returns sent to us without prior permission.
It’s your responsibility to retain possession and to take reasonable care of the goods in the period prior to return and until you send them back to us.
Your Right To Cancel An Order
Your right to cancel your order starts from the moment you place the order, and ends 14 days from the time you receive your order.
Non-Faulty Products
If you wish to return a product because it’s unwanted or it was ordered in error, please follow the returns procedure (see above).
We’ll happily accept a return as long as the product is still in its original shrink-wrapped packaging and is completely undamaged. You have 14 days from when you receive your order to notify us that you wish to return your order.
By opening a sealed product in any way (or using any digital download code accompanying your order), you waive your right to cancel or return your order.
Obviously we’d rather offer you store credit (in the form of a gift card), but if you’d prefer a refund, we promise to get this sorted within 14 days of receiving your return.
Please take care when ordering!
Faulty Products
If you believe you have purchased a faulty or damaged record, please follow the returns procedure (see above).
Once we receive your record, it will be tested by a member of staff in store.
If your record is deemed as faulty, you will be entitled to a refund, swap or store credit (to the same value as your initial purchase).
If this record is not deemed as faulty, we will not cover any additional postage and packaging costs incurred by either you or us, and we will not be able to offer you a refund, store credit or swap.
Basically, please be absolutely certain the record you have purchased is faulty before following the returns procedure. If possible, we suggest testing the record on different turntables and weighting the tone arm differently.
Steepletone and Crosley Record Players
After having several “faulty” records returned to us (that in actuality had nothing wrong with them), we cannot guarantee that any records we sell will play correctly Crosley or Steepletone branded record players.