{"title":"New Releases","description":"","products":[{"product_id":"mobb-deep-infinite","title":"Mobb Deep - Infinite","description":"\u003cp\u003eFollowing the fast-selling debut of Legend Has It… #1—the first collaboration between Mass\u003cbr\u003eAppeal Records and Marvel Comics—Mass Appeal expands the series with a special set of\u003cbr\u003eMarvel variant vinyl releases.\u003cbr\u003eThis collection brings seven iconic LPs to life in vinyl form, each featuring original artwork by\u003cbr\u003eacclaimed artists Sanford Greene, Mike Del Mundo, Taurin Clarke, Ariel Olivetti, Edwin\u003cbr\u003eGalmon, Greg Land, Salvador Larroca, and Kagen McLeod.\u003c\/p\u003e","brand":"Mass Appeal","offers":[{"title":"Orange LP","offer_id":56304694788360,"sku":"REL-03089","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Cloud Green Vinyl 2LP","offer_id":57867307352328,"sku":"REL-06379","price":27.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/e129d36935ce26a50571b806998bfaa3.png?v=1775640078"},{"product_id":"the-cure-boys-dont-cry","title":"The Cure - Boys Don't Cry","description":"\u003ch3\u003eCD\u003c\/h3\u003e\n\u003cp\u003eThe Cure are to release the 1986 mix of Boys Don’t Cry, making it available digitally for the first time ever in line with its 40th Anniversary. Initially released as a standalone single in the summer of 1979, Boys Don’t Cry became the title track of the US edition of the band’s debut album, Three Imaginary Boys.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eThe song went on to become one of the band’s signature tracks and achieved international success in 1986, when Robert Smith re-recorded the vocal and remixed the backing track. Although this new version was created to promote the best of collection Staring At The Sea – The Singles, the LP itself featured the original recording, and the 7-inch version of Boys Don’t Cry (New Voice – New Mix), now retitled Boys Don’t Cry (86 Mix), is being released for the first time ever as a CD single.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eBoys Don’t Cry (86 Mix), the 12” mix, and the B-Sides, Plastic Passion, Pillbox Tales, and Do The Hansa have been remastered by Matt Colton.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003e12''\u003c\/h3\u003e\n\u003cp\u003eThe Cure are to release the 1986 mix of Boys Don’t Cry, making it available digitally for the first time ever in line with its 40th Anniversary. Initially released as a standalone single in the summer of 1979, Boys Don’t Cry became the title track of the US edition of the band’s debut album, Three Imaginary Boys.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eThe song went on to become one of the band’s signature tracks and achieved international success in 1986, when Robert Smith re-recorded the vocal and remixed the backing track. Although this new version was created to promote the best of collection Staring At The Sea – The Singles, the LP itself featured the original recording, and the 7-inch version of Boys Don’t Cry (New Voice – New Mix), now retitled Boys Don’t Cry (86 Mix), is being released on vinyl for the first time in 40 years.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003cp\u003eBoys Don’t Cry (86 Mix), the 12” mix, and the B-Sides, Plastic Passion, Pillbox Tales, and Do The Hansa have been remastered by Matt Colton.\u003c\/p\u003e","brand":"UMR\/Polydor","offers":[{"title":"Black 12''","offer_id":57176293835016,"sku":"REL-05998","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/48605f1315ec9e4c37c0d85abfb47797.jpg?v=1776343949"},{"product_id":"ezra-collective-chapter-7-2026-reissue","title":"Ezra Collective - Chapter 7 (2026 Reissue)","description":"\u003cp\u003eEzra Collective’s \u003cstrong\u003eChapter 7\u003c\/strong\u003e, now celebrating its tenth anniversary, captured the restless energy of a young band finding its voice - spiritually curious, rhythmically fearless, committed to community as compass. Built on grooves made for sweat-slicked basements and late-night communion, its seven movements reveal a blueprint forming: jazz as a living expression of where you come from and who you stand with.\u003cbr\u003eThe forthcoming \u003cstrong\u003eChapter 7 (10th Anniversary Edition)\u003c\/strong\u003e reissue revisits that formative statement from a band that would soon become trailblazers as both the first British jazz act to win the Mercury Prize, and then a BRIT Award. Remastered for vinyl and expanded with new incarnations - live cuts from NPR's Tiny Desk and the band’s landmark Royal Albert Hall performance - the reissue presents \u003cstrong\u003eChapter 7\u003c\/strong\u003e not simply as an early document, but a living manifesto: rhythm as ritual, youth culture as sanctuary, and jazz as an open invitation.\u003cbr\u003ePressed on black vinyl, housed in a single sleeve jacket with printed inner sleeve, featuring credits and a message from the band.\u003c\/p\u003e","brand":"Partisan Records","offers":[{"title":"Black Vinyl","offer_id":57262026293512,"sku":"REL-06019","price":18.99,"currency_code":"GBP","in_stock":true}]},{"product_id":"modest-mouse-an-eraser-and-a-maze","title":"Modest Mouse - An Eraser and a Maze","description":"\u003cp\u003eA physics theory says past, present, and future coexist—and that’s the best lens for An Eraser and a Maze, which feels like every era of Modest Mouse happening at once. Guided by Isaac Brock’s instinct-first process, the album is both familiar and alien, warm and cold. It stretches across the band’s sonic history, from propulsive classics to stripped, raw moments, while carrying an undercurrent of mortality and loss that refuses easy optimism.\u003c\/p\u003e\n\u003cp\u003eModest Mouse creates a sonic world that balances jagged chaos with haunting beauty, making them one of the most influential indie rock bands of the last 30 years. An Eraser and a Maze will be the first new studio album from the band since 2021's The Golden Casket, and harkens back to the \"jagged chaos\" of their early 1990s classics by layering wiry, interlocking guitar riffs over the aggressive, \"militaristic\" drumming styles that first defined their sound.\u003c\/p\u003e","brand":"Glacial Pace Recordings, Inc","offers":[{"title":"Cosmic Black Vinyl 2LP","offer_id":57641582067976,"sku":"REL-06051","price":35.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Edition Ocean Floor Vinyl 2LP","offer_id":57641582100744,"sku":"REL-06052","price":35.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/2ab82d8338bd9f855220b83f5b60e190.jpg?v=1776878934"},{"product_id":"bobby-timmons-this-here-is-bobby-timmons","title":"Bobby Timmons - This Here Is Bobby Timmons","description":"\u003cp\u003eAmerican Jazz pianist Bobby Timmons originally released This Here Is Bobby Timmons as his debut album as leader in 1960 on the Riverside label. Containing 9 hard bop cuts the album features Sam Cobb on bass and Jimmy Cobb on drums and is produced by Orrin Keepnews. This new edition of the album is released as part of the OJC Series on 180-gram vinyl pressed at RTI with all-analog mastering from the original tapes at Cohearent Audio and a Stoughton Tip-On Jacket.\u003c\/p\u003e","brand":"CONCORD","offers":[{"title":"Black Vinyl Limited Edition","offer_id":57649987682568,"sku":"REL-06062","price":35.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/026a6b421399a5609c4e9963632b622b.png?v=1776942485"},{"product_id":"ryan-adams-the-suicide-handbook","title":"Ryan Adams - The Suicide Handbook","description":"\u003cp\u003eThe Suicide Handbook is Ryan Adams’ most elusive and mythic recordings. The album is a raw and intimate collection of songs that captures the songwriter at his most unguarded. Recorded at the beginning of his solo career and long circulating only through bootlegs, the album has earned a legendary status among die-hard fans and fans of the americana genre alike for its stark stripped-back beauty.\u003c\/p\u003e\n\u003cp\u003eAcoustic arrangements and hushed, late-night vocals, these songs feel like private confessions set to tape. Adams leans into themes of heartbreak, isolation, and emotional vulnerability, delivering recordings that are as fragile as they are compelling. There’s an immediacy here that sets The Suicide Handbook apart from his studio releases. These are the original recordings in their rawest and un-touched form.\u003c\/p\u003e\n\u003cp\u003eReleased officially for the first time, experience the record as a cohesive piece, bringing warmth and depth to its lo-fi origins. The analogue format enhances every subtle nuance, from the quiet creak of strings to the tremble in Adams’ voice.\u003c\/p\u003e\n\u003cp\u003eFor longtime fans and collectors alike, The Suicide Handbook stands as a haunting, deeply personal snapshot of an artist laying everything bare—an essential addition to the Ryan Adams collection.\u003c\/p\u003e","brand":"PAX AM","offers":[{"title":"Vinyl LP","offer_id":57728544833800,"sku":"REL-06138","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/4145ada4686d6c9bc6e920787b9d6198.jpg?v=1777372097"},{"product_id":"swallow-blown","title":"Swallow - Blown","description":"\u003cp\u003eOne of the more enigmatic bands of the classic 4AD era, Swallow, have announced the reissue of their first two albums, Blow and Blowback, packaged together with an additional two-track single as a double LP + 12” \/ double CD entitled Blown, available from 5 June.\u003c\/p\u003e\n\u003cp\u003eA chance for shoegaze fans to discover this forgotten gem from the 4AD catalogue, Blown is an essential but underrated body of work embracing the genre’s signature atmospheric layering of fuzzy guitar textures, accompanied by Louise Trehy’s beautiful and haunting vocals, creating hazy waves and swirls of luscious noise.\u003c\/p\u003e\n\u003cp\u003eSwallow was formed by Louise Trehy and Mike Mason in London in the early 90’s, signed by Ivo Watts-Russell after receiving 4-song demo tape by post. Blow was originally released in July 1992, followed by Blowback in autumn of the same year featuring new mixes and overdubs and released as a limited CDEP that quickly fell out of print, known only to the most fervent 4AD fans. Swallow parted ways with 4AD shortly after the release of Blowback, but their brief period with the label has been outlived by this cornerstone dream-pop classic which has until now been obscured by the mists of time and memory.\u003c\/p\u003e\n\u003cp\u003eWith Blown, Swallow are reintroduced as an important force in the 4AD canon and the shoegaze genre, alongside their more well-known counterparts. The songs of Blown have been reconstructed from the original 24 track tape recordings and remixed. It has been freshly remastered by Anne Taegart at Dubplates \u0026amp; Mastering Berlin and lovingly presented in a brand-new package designed by longtime supporter Chris Bigg (v23) based on the original design by Vaughn Oliver.\u003c\/p\u003e\n\u003cp\u003eLouise Trehy and Mike Mason met in early 90’s Camberwell, London. Both were deeply involved with the independent music scene of the time; Louise co-founded Setanta Records (home of The Divine Comedy, Edwyn Collins and Into Paradise with whom Mike would occasionally play), and Mike traversed between bike courier, video director, and lighting designer for Spacemen 3, Slowdive, Spiritualized, Curve and Chapterhouse. Prompted by Louise, they started writing songs together, drawing inspiration from a healthy mix of sources: CAN, noise, post-punk, and American forces of nature like Captain Beefheart and Butthole Surfers. Their first songs quickly surfaced and were recorded onto a Tascam 4-track portastudio. Louise posted the four-song demo to Ivo Watts-Russell who signed them to 4AD, sight unseen.\u003c\/p\u003e\n\u003cp\u003eWith the task of finishing their first record, the pair borrowed guitars from Tom Greenhalgh of the Mekons and they decamped to record at Edinburgh’s Palladium Studios and later, Blackwing in London. John Fryer was enlisted to produce (right off handling Nine Inch Nails’ 1989 record Pretty Hate Machine), utilizing Eventide Harmonizers (a Cocteau Twins staple) to provide the band’s lush, ethereal dazzle.\u003c\/p\u003e\n\u003cp\u003eBlow would be released in July of 1992, and arrived in a sleeve designed by Vaughan Oliver (v23). Subsequently, they did a handful of support gigs with Bob Mould’s post-Hüsker Dü project Sugar and American shoegaze peers Medicine to promote the album across the UK. Contemporary reviews of Blow would unimaginatively make much of the 4AD and Cocteau’s connections. But with the music press’ attention later shifted to the Nirvana explosion of underground American bands, it was difficult for the album to get much attention.\u003c\/p\u003e\n\u003cp\u003eThough, in the end, the band found the finished album different than they imagined it would sound. Feeling as though their initial ideas had been lost in the production, they petitioned Ivo to re-record parts of the album; he suggested they remix the tracks as they wished, instead. New mixes and overdubs resulted in dissonant and ambient versions closer to the band’s intentions, released as Blowback in the autumn of 1992. Sadly, expectations, hopes, and shifting priorities from both Ivo and the band led to Swallow’s departure from 4AD shortly after the release of Blowback.\u003c\/p\u003e\n\u003cp\u003eSwallow pressed on and were invited to play a ten date UK tour with Mazzy Star. It was Mazzy Star who recommended Geoff Travis sign the band to his label Rough Trade in late 1993. Mike and Louise’s only release for the label was the 1994 Hush EP — recorded at home and more stripped back than the band’s previous releases, the release allowed the songs to stand ahead of their production for the first time. The full Hush session recordings would ultimately be released digitally in 2009.\u003c\/p\u003e\n\u003cp\u003eUnable to gain any traction from Hush at the time, Swallow would come to an end later that year, with the dissolution of Mike and Louise’s relationship. Unexpectedly, though, 1995 would see The Chemical Brothers sampling the Blow tracks ‘Peekaboo’ and ‘Follow Me Down’ on ‘One Too Many Mornings’, taken off their massively successful debut LP Exit Planet Dust. This brought new ears and royalties, both happily welcomed. For the next 30 years, Swallow would enjoy a cult following among only the most dedicated shoegaze fans and 4AD obsessives.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Milky White Vinyl 2LP + 12\"","offer_id":57728791806216,"sku":"REL-06139","price":45.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1027\/6723\/1240\/files\/e228832f9f5f3c155b3d15ef03103a19.jpg?v=1777372495"},{"product_id":"sierra-ferrell-sierra-ferrell-live-at-third-man-records","title":"Sierra Ferrell - Sierra Ferrell Live at Third Man Records","description":"\u003cp\u003eFresh off a landmark year, GRAMMY Award–winning singer, songwriter, and multi instrumentalist Sierra Ferrell brought her 2025 tour to a close in her adopted hometown of Nashville, TN. 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Their acclaimed third album, 2024’s Ilion, was a sci-fi story built with 10- to 13-minute exploratory escapades, often starting with doom metal or stoner rock before spinning freely into glorious instrumental oblivion. But, in a bit of intentional irony, SLIFT’s fourth album is actually called Fantasia. It’s their leanest and most direct record to date. It is also their most riveting album yet, a pointed saga about overcoming international upheaval delivered by a band bearing down, not wasting a single second in the process.\u003c\/p\u003e\n\u003cp\u003eThough only Jean and bassist Rémi Fossat are related, SLIFT is essentially a band of brothers. They’ve been friends with drummer Canek Flores since high school, and 2026 marks a decade together in this trio. They rehearse with religious regularity in a basement in the countryside near Toulouse, inside the jam room where they’ve long indulged their propensity for longform wonder. But they built the songs of Fantasia differently. Jean started many of the songs by himself, then quickly brought them to basement rehearsals with a clear and concise idea of how he imagined them taking shape. By the time they crossed France’s northern border into Belgium to record in the enormous live room at Daft Studios, they had a tight set of lean, agile, and punchy songs.\u003c\/p\u003e\n\u003cp\u003eThe band’s vast influences are evident: the album evokes Clutch getting wild, John Coltrane, Charlie Parker, Soviet writer Mikhail Bulgakov, Pink Floyd, and Master of Reality-era Sabbath. And the sonic tapestry is aided by the skillful mixing of Kurt Ballou (Converge, Cave In, High on Fire). The songs aren’t lacking the complexity or intensity that have made SLIFT a rising star in heavy music; they’ve simply found new ways to weave the complexities of their past inside every piece, like a tapestry that reveals a new layer every time you look. 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Read more about how The Music Climate Pact is working to make vinyl records more sustainable here.\u003cbr\u003eEach record looks unique while still sounding fantastic.\u003cbr\u003eSimilar price point to standard black vinyl, but no new virgin, fossil fuel derived plastic has been used for these releases.\u003c\/p\u003e\n\u003cp\u003eBon Iver’s debut full-length For Emma, Forever Ago made major waves in critics’ circles based on the strength of an early artist-pressed advance CD and a couple awe-inspiring sets at CMJ back in October 2007. The New York Times called it “irresistible” and Pitchfork stamped its early review of the album with a Recommended tag. For those of you hiding away in a cabin of your own, it’s time that you hear the story, and more importantly, the music. Bon Iver (pronounced: bohn eevair; French for “good winter” and spelled wrong on purpose) is a greeting, a celebration and a sentiment. 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